The Pack Is the Painting: Evil Biscuit and the Schizocollage Movement Come to Hong Kong

Bitcoin Magazine published an article by Dennis Koch titled 'The Pack Is the Painting: Evil Biscuit and the Schizocollage Movement Come to Hong Kong.' The piece opens by recounting a 1956 performance in Tokyo in which Japanese artist Saburō Murakami, a member of the radical postwar avant-garde collective Gutai, ran through a row of paper screens, leaving torn human-shaped holes in each. The provided text is truncated before elaborating on Evil Biscuit or the schizocollage movement itself.